James wrote the essay accompanying Katie Paterson’s exhibition A place that exists only in moonlight that opened in January 2019 at Turner Contemporary in Margate. You can read it full by clicking here.
Earth-Moon-Earth (Moonlight Sonata Reflected from the Surface of the Moon)
Katie Paterson, 2007
In the piece Take Me to the River: A Journey into Digital Fiction, James discusses the collaborative nature of new media for Review31
James reviews the extraordinary show ‘Hannah Ryggen: Woven Histories’ at Modern Art Oxford here
James reviewed the exhibition Pity and Terror: Picasso’s Path to Guernica at the Reina Sofia in Madrid for Frieze magazine, staged to mark the 80th anniversary of both the painting and the fascist bombing of the Basque town in 1937.
Another Picasso review— of Picasso 1932: Love, Fame and Tragedy at Tate Modern, for the London Review of Books— is here
The exhibition ‘Kaleidoscope’ at Modern Art Oxford was part of the gallery’s 50th anniversary celebrations. James’ review for Frieze is here.
James went behind the scenes at Heathrow to research this piece for The Independent about the experience of passing through an airport — the curious, weightless state we enter when we have checked in our luggage and passed security but haven’t yet left the ground.
Here are a trio of reviews of books about Beat Generation related themes, all for the Independent: first, a review of Jack Kerouac’s lost novella This Haunted Life; second, of Barry Miles’ biography of William Burroughs; third, of Iain Sinclair’s American Smoke.
Volume 6 of TS Eliot’s Letters covers the years 1932-1933, the year during which the poet left his first wife Vivien, a relationship breakdown played out to comments from eminent members of the literary audience. I was almost more interested in what Eliot’s voluminous correspondence revealed about his life as a publisher: continually caught up in negotiations over rights, copyright, translation of his own work and with the elusive Mr Joyce, perennially late with delivery of his Work in Progress, that would eventually become Finnegan’s Wake.
The title of Jay Parini’s exhaustive and fascinating biography of Gore Vidal sums up at least one aspect of his mercurial character: Every Time a Friend Succeeds, Something Inside Me Dies…
Travel, walking and psychogeography
It was tough picking just five books for the Independent’s Christmas round-up of travel books for 2015. In the end, these were the ones that made the selection: a hymn to air travel by a 747 pilot, two rambles through London, an immersion in Putin’s Russia and a love-song to Granada…
Paul Theroux’s Deep South sees a master of the travel writing genre travelling through his home country and being deeply disturbed by what he finds.
Review of Iain Sinclair’s account of his return to the land of his birth, Black Apples of the Gower.
In Night Walking, Matthew Beaumont has written a crepuscular classic, given a full review (beyond its mention in the best of 2015 round-up) here for the Independent. Staying with perambulatory titles, here’s a stroll through A Philosophy of Walking by Frederic Gros.
A review of Simon Armitage’s Walking Away is here.
Here is a review of Hugh Thomson’s The Green Road into the Trees. The multi-talented Gruff Rhys (of Super Furry Animals) created a suite of songs, an app and a book around his journey into the American Interior.
Click here for a review of Sharifa Rhodes-Pitts’ fascinating book Harlem is Nowhere: A Journey to the Mecca of Black America.
More on the Arts…
Click here to read about John Tusa’s coruscating attack on those who would subvert the arts with bureaucracy and management-speak, A Pain in the Arts. Here’s a very different, wonderfully strange and at times laugh-out-loud funny art world perspective in A New Concise Reference Dictionary and Glossary of Contemporary Art A-Z, by Neal Brown.
James swam against the tide a little with his review of Robert Macfarlane’s Landmarks. Also Melissa Harrison’s Rain, for some of the same reasons. Interestingly (a fact edited from the review for reasons of space) many of the words included in a glossary of rain in the back of Harrison’s book are word for word the same as the definitions in Landmarks. Both authors have found them in old dictionaries and guides to local dialect, some a century old, rather than in use in local parlance.
Click here for a review of George Monbiot’s provocative and thought-provoking book Feral that has gone on to spawn a movement.
Easter Saturday 26 March 2016, the last ever print issue of the Independent comes out carrying James’ review of Tim Birkhead’s The Most Perfect Thing. A blend of scientific rigour and passion, Birkenhead’s book will be in many lists of the best nature writing of 2016, as one more great broadsheet institution becomes extinct.
This review of Helen MacDonald’s H is for Hawk for the Independent was one of the first… pleasing the book had the success it deserved. Mark Avery’s A Message from Martha seems to have touched a nerve, with its account of the extinction of the most populous bird in the world in less than a century. From the same author, Inglorious is a devastating exposé of the grouse-shooting industry. Horatio Clare has written an elegiac account of another vanished species in Orison for a Curlew which manages to find something positive in the lives and work of those engaged in conservation in some of the most difficult circumstances imaginable.
Nature cameraman John Aitchison’s book The Shark and the Albatross is technologically enabled nature writing, seen through a lens, that adds something to the genre.
Stuart B Schwartz’s Sea of Storms provides an alternative history of the Caribbean, told through the eye of the hurricane that is the area’s most distinct weather feature.
Here is a piece called Gazing into the Watery Abyss for Tate Etc.
You can find a piece for the Daily Dot called ‘Reclaiming the Night from the Net’ here. Here is an article about the moon in literature, headlined Satellite of Love and Fear. And a short piece for the Observer, for their Ideas for Modern Living column, curated by The School of Life, on darkness.