ESSAYS
‘Move Over Felix: The Impact of the Domestic Cat’ investigates the devastating effect of free roaming cats on wildlife and human health, included in the book The Cabinet of Imaginary Laws (Routledge, 2021)
Essays on art and photography include Filled with Emptiness: The Dream Theatres of Hiroshi Sugimoto for the catalogue of the exhibition Hiroshi Sugimoto: Time Machine (Hayward Gallery London October 2023—January 2024, and touring)
‘The Greatest Show on Earth’ in When the Elephants Come to Town: A Visual Anthology (Veurne: Hannibal Books, 2020)
‘Katie Paterson: A Place that Exists only in Moonlight’, essay accompanying exhibition at Turner Contemporary, Margate (2019)
‘On Margate Sands’ appeared in artist Katie Paterson’s digital anthology First there is a Mountain (2019) as well as being part of a manifestation of the artwork on the beach at Margate
‘Through the Lunar Lens’ in Photographing the Moon 1840–Now (FotoMuseum Antwerp/ Hannibal Publishing 2019)
‘The Moon is a World Like This’ in Fly Me to the Moon: The Moon Landings 50 Years On (Kunsthaus Zurich/Snoeck Publishers, 2019)
‘What You Find in the River’ in Planned Violence: Post/Colonial Urban Infrastructure, Literature and Culture (Palgrave MacMillan, 2018)
‘The Image is Enough: The Portraits of Kazem Hakimi’ in Kazem Hakimi: Portraits from a Chip Shop (Modern Art Oxford, 2017)
Introduction to North Sea: A Visual Anthology (Thames & Hudson, 2017)
‘The Middle of Nowhere: Gordon Matta-Clark and the Terrain Vague’ in Gordon Matta-Clark, (Silvana Editoriale 2008)
The essay Towards Anarchitecture: Gordon Matta-Clark and Le Corbusier was published in Tate Papers, (2007)
JOURNALISM
My journalism has appeared in publications including The Independent, Frieze, the London Review of Books and Apollo Magazine.
TRANSLATION
I have worked with the Afghan poet Hasan Bamyani in a collaborative process to translate his poetry into English. Two of Hasan’s poems are included in the anthology Crossing Lines: An Anthology of Immigrant Poetry from Broken Sleep Books (2021), including this one, reproduced here in English and the original Dari in the Oxford Review of Books.